HGH Granite has collaborated with the Catholic Cemeteries of the Diocese of Hamilton for many years, supplying granite for various memorial projects.

These include two Mother and Children sculptures, for the Our Lady of the Angels Catholic Cemetery in Stoney Creek, ON, and the Holy Family cemetery in Milton, ON; alongside the St Michael sculpture, also commissioned for the Our Lady of the Angels Catholic Cemetery in Ontario.

So when we were asked to help with the creation of a similarly distinguished monument for the Holy Cross Cemetery in Paris, Ontario – a Holy Redeemer sculpture – we were happy to help.

The making of a Granite Holy the Redeemer Statue

 

Inspired by a monumental great

Does the Holy Redeemer sculpture look familiar to you?

If so, that’s because it was inspired by the iconic Christ the Redeemer statue in Rio de Janeiro, Brazil, that stands atop the Corcovado mountain. That piece was designed by French sculptor Paul Landowski and constructed by Brazilian engineer Heitor da Silva Costa and stands at an impressive 98-feet high.

Our client wanted to create its own version of this famous statue for its cemetery grounds. And so work got underway.

This involved: working from photos of the Rio sculpture, discussing dimensions, granite type, the size and style of the plinth – to our artist producing sketches and clay models. (After which followed the processes of 3D scanning, carving with both robotic milling equipment and by hand, polishing, engraving and the final installation, which we’ll come to later in this blog.)

Challenges along the way

The journey to bring the Holy Redeemer statue to life was not without its hurdles.

This began with some initial misgivings from the client regarding some of the physical features on our prototype model, which was created to spec. The client wasn’t sure about the sculpture’s facial features – citing that they looked ‘too gaunt’ – or the statue’s arms, which they believed were too straight.

So the artists went away and made some modifications, and returned with a more naturalistic iteration, in which the arms became more bent, the chin less pointy, the eyes less gaunt. We went back and forth a few times, making incremental changes, before we got the final go-ahead from the client.

For the final iteration we sourced Imperial grey granite, and then the expert artisans sculpted each detail of the figure with precision, blending traditional techniques with modern technology.

Perfecting the physical features of the sculpture wasn’t our only obstacle.

Practical considerations of working with large sculptures

Initially envisioned as a singular, towering structure, we faced further roadblocks due to the statue’s huge dimensions: 10 feet wide and 14 feet tall, to be precise.

We were left pondering: how on earth do we manufacture, transport and install a sculpture so huge?

Finding a workable solution

We decided to divide the statue into two pieces – the bottom half and plinth; and the top half from just beneath the shoulders upwards. This would allow for practical installation *and* preserve the sculpture’s grandeur.

Take a look at the two pieces being installed (on a very clear blue day) below.

Onto the next stage

The installation process itself required precision planning and expert execution.

Using one of our expert crane contractors, we carefully hoisted the piece into place in its serene new setting. We were very grateful the weather was on our side.

Unveiling the finished piece

The sculpture was unveiled to the public in November 2023 – and we’re happy to report that, despite the initial challenges, the finished piece surpassed the client’s expectations. And ours.

A symbol of grace, strength and serenity, this Holy Redeemer sculpture may have been inspired by a famous Brazilian monument, but we believe it has a majesty all of its own.

Have you got an upcoming granite project?

At HGH, we pride ourselves on sourcing the finest granite and providing the best service to our valued clients. Whether you’re working on a public monument or an architecture project, our team – and their many years of expertise – is at your service!

Get in touch with us today.

Whether you’re a landscape architect, municipality representative, or involved in urban design, understanding the differences between cobbles, setts and pavers is super-handy for selecting the right aesthetic for your project.

In this blog, we explore the physical differences and ideal use cases for each.

The Difference Between Cobbles, Setts, and Pavers

What are cobbles?

The word “cobble” comes from the word “cob,” which means a rounded lump. So, a cobble is a rounded piece of stone, and it can be made from granite, limestone, sandstone or basalt.

Granite cobbles are particularly popular in landscape architecture and public memorials due to their inherent strength.

There’s often a little head-scratching around the difference between cobbles and setts, so it’s not uncommon to hear the term cobbles used when what people are actually referring to are setts.

However, the key distinction to remember is that: cobbles are round while setts are rectangular or square.

Cobbles in context

Cobbles are renowned for their charm and rustic looks and this makes them a popular choice for pathways and public spaces.

In our opinion, they lend character and texture – and a certain rustic-ness – to architectural designs and landscaping projects.

What are setts?

As previously touched on, setts are traditionally small rectangular or square blocks of stone, most commonly made from granite or limestone, that are cut into sizes ranging from 100mm (4”) to 300mm (12”) in depth and width.

Setts have been used in a vast range of paving installations for centuries. They are precisely cut and shaped by hand or machinery, and present a more structured and ordered appearance, with clean lines and consistent dimensions.

Due to their durability and resistance to wear and tear, setts are favoured for high-traffic areas such as city streets, sidewalks, and plazas. Their tight interlocking joints and precise cutting also ensure a stable and long-lasting pavement surface.

As an aside, when many people – including our customers – speak about cobbles, often what they’re referring to is setts. It wasn’t too long ago that we in the industry distinguished between the two, in fact – but never fear, we’re here to help and translate the industry jargon!

Sett-ing the scene

A high-profile example of HGH-supplied granite setts in action can be seen in the grand ‘pavement carpet’ at the award-winning Four Seasons Hotel in Yorkville, Toronto, ON.

We worked with Aldershot Landscape on this project, supplying them with all the granite and detailed shop drawings to help them with the final install of this eye-popping public piece.

These images show a combination of setts and pavers with the majority of the ‘carpet’ using setts for the design.

What are pavers?

Traditionally*pavers are larger format, rectangular stones (or concrete blocks) used for paving purposes. They come in a variety of materials, including granite, limestone, slate, concrete, and porcelain.

Granite pavers are a popular choice for outdoor paving projects in high-traffic public areas due to the following factors:

• Their inherent strength and aesthetic appeal
• The fact they’re weather and stain resistant
• Their versatility (coming in an range of colours and surface finishes)

The granite pavers at the Meridian Hall, Toronto, Ontario

Here’s another of our high-profile projects, this time featuring granite pavers at the Meridian Hall, in Toronto, Ontario. This site was previously known as the Sony Centre for the Performing Arts, and was designed by Claude Cormier + Associés Landscape Architects.

For this awesome public plaza project, we supplied the granite to Aldershot Landscape Contractors.

As you can see from the images, the plaza’s surface is paved with an angled checkerboard pattern in black and white granite that responds to the acute angles of the theatre and nearby streets.

We hope you agree that these sleek granite pavers lend a particularly modern and sophisticated look to this awesome design. (We’re super-proud to have worked on this project!)

Custom pavers

*Pavers don’t always have to be rectangular. They can also be custom made and shaped. Like the maple pavers we created and hand-shaped for the Markham Veterans Square memorial in Markham, Ontario.

 

HGH’s granite paver projects

Take a look at some additional paving projects we’ve worked on.

The granite plaza at Berczy Square

The Royal Botanical Gardens

The Voices of Freedom Memorial in Niagara-on-the-Lake, ON

Landscape of Nations Memorial, Niagara on the Lake, ON

Gathering of a Same Time architectural feature, Toronto, ON

Which to choose – cobble, pavers or setts?

Cobbles, setts, and pavers each have unique characteristics and applications in urban design and landscaping projects. When selecting materials for your project, it’s essential to consider appearance, durability, and intended use.

As we’ve seen, cobbles are ideal for creating rustic and historic atmospheres, while setts and pavers offer durability, modernity and versatility in abundance.

At HGH, we offer a wide range of high-quality granite products, including setts and pavers, to meet your project needs.

Contact us today to learn more and explore our selection of premium paving materials.

When it comes to creating a landmark or sculpture, the choice of material is as important as the design and theme of the piece; integral, not just to how good it looks, but to its general quality and lifespan.

Among the many material options open to sculptors, artists, architects and memorial makers, granite stands tall. We may be slightly biassed – who, us? – but granite has so much going for it and offers loads of brilliant benefits that make it the go-to choice for many.

In this blog post, we’re going to take a look at the variety of material options open to artists, architects and memorial makers – and then we’ll delve into the five most compelling reasons to choose granite over the competition.

Right, let’s get started. Aside from our beloved granite…

Which materials are commonly used for architecture, landmark and memorial projects?

1. Marble: Known for its elegance and classical appeal, you’ll see it used in sculptures, columns, and facades. One very famous example? The Parthenon in Athens.

2. Limestone: Valued for its versatility, it can be found in both modern and classical architecture – from the Pyramids of Giza to many European cathedrals (including St. Publius Parish Church in Malta, pictured below).

3. Sandstone: This sedimentary rock has a very distinct texture and has been used in various landmarks, including Petra in Jordan and some parts of the Red Fort in Delhi, India.

4. Bronze and Corten Steel: as used in our Voices of Freedom project. Both of these materials are used often, but rarely by themselves

Famous structures made from brick and concrete

Of course, designers can also choose to work with sturdy brick – take the iconic crenellated red ones that were used to construct the Kremlin, Red Square, in Moscow.

This historic fortress complex features 20 towers – 19 with spires – and was built at the end of the 15th century by Italian architects and builders. Fair to say, it looks as impressive today as it did back in the 1400s.

Tough concrete is another option – take the Hoover Dam and the Burj Khalifa – along with steel, wood, glass, and copper (hello, Statue of Liberty).

But here are five reasons why granite beats the competition for many applications.

Top 5 reasons granite is chosen by public architecture and monument designers

 

1. Durability

Granite is synonymous with durability. Extremely resistant to wear and tear, it’s less likely to get scratched, stained or weathered compared to materials such as marble, limestone, and sandstone.

This makes it a preferred choice for outdoor monuments and structures

2. Easy to look after

Granite is relatively low-maintenance, requiring minimal care to preserve its impressive appearance. It doesn’t require sealing as frequently as marble, for example.

Easy maintenance is a big tick for those creating buildings/landmarks in high-traffic or public spaces

3. Very versatile

Granite can be used for a wide range of applications, while its natural patterns and colours make it suitable for various design styles.

In contrast, materials such as concrete can lack the character and beauty of natural stone.

4. Heat resistant

Granite’s thermal resistance sets it apart from a material such as marble, which can be more sensitive to heat.

Very hot sun can cause the surface of marble to erode, resulting in a loss of fine details, smoothing of sharp edges, and a generally weathered appearance. This can then lead to cracks or the spalling – flaking – of the surface layer. Marble is also porous, meaning it’s more likely to stain in hot temperatures, too.

Liquids, such as water or acidic substances from rain or nearby plants, can also penetrate the stone, resulting in discoloration.

5. Life expectancy

Granite has a long life expectancy and maintains its appearance over time.

Its inherent sturdy nature also means any structures or monuments made from it can enjoy a long and healthy life too.

We’re sure you agree this is a hugely important factor in choosing materials for landmarks or architectural projects where durability and longevity are paramount.

In a nutshell…

Granite rocks for landmark and architectural projects. It’s tough, easy to handle, looks great, and beats the heat.

With its low-maintenance nature and a style that suits anything, we believe it outshines marble, sandstone, concrete and co’.

Plus, it’s a longevity superhero – the perfect match for structures that want to stand the test of time and still look great doing it! Check out our 5 Most Famous Monuments Made from Granite blog for even more proof!

Do you have any new projects in the pipeline?

We’d love to hear from you and discuss your vision. At HGH, we pride ourselves on sourcing the finest granite and providing the best service to our valued clients.

Whether you’re working on a welcome sign, a timeless headstone, or a public architecture piece, our team – and their many years of expertise – is at your service!

Get in touch with us today.

At HGH Granite, we believe in the power of art and craftsmanship to celebrate and honour the rich tapestry of cultures that shape our communities here in Canada. And as we mark the beginning of Black History Month, we’re looking back at our contribution to the Voices of Freedom monument, an experiential art installation in Niagara-on-the-Falls, Canada, which stands as a powerful testament to the resilience and contributions of Black Canadians.

The historical context of the Voices of Freedom installation

The installation is nestled in a small area of parkland in the heart of Niagara-on-the-Lake’s historic Old Town, and weaves together symbols from West African heritage and the Underground Railroad.

Niagara-on-the-Lake, which was the capital of Upper Canada from 1792 to 1796, has been home to Black residents since the 1780s. It’s also where the first anti-slavery legislation was introduced in the British Empire.

In the 1780s, after the American Revolution, United Empire Loyalists settled in the area and many brought with them the African people they’d enslaved. Meanwhile, Black Loyalists who’d fought in “Butler’s Rangers” – a unit of the American Revolutionary War, led by John Butler – also moved here, having acquired land and freedom. And so there were two classes of Black people living in the province: those who were enslaved and those who were free.

Slaves outnumbered the free, until the early 1800s, however, when freedom-seekers migrated into the area. In 1807 the Slave Trade Act outlawed the slave trade in the British Empire. This was followed by the Slavery Abolition Act of 1833 which outlawed slavery altogether. Even after this, however, racism and discrimination were a daily reality for many Black people, and the path to becoming truly “free” and equal was a long and challenging one.

Partnering with landscape architects Fleisher Ridout Partnership

For the visionary landscape architect and artist, Tom Ridout, of Fleisher Ridout Partnership, the concept of struggle, journey, dialogue and coming together as a community were central themes and components of his work.

The idea was to move away from a traditional static memorial and towards an immersive installation – one that combines sculptural art with park design – and which allows visitors to engage with and be educated on Black History in a more experiential way.

Let’s take a look in more detail…

Key features of the Voices of Freedom installation

At the park’s entrance is a granite paved area featuring a significant ‘Epa’ design. Epa is the West African interpretation of handcuffs. The handcuffs here representing the idea of both the Transatlantic Slave Trade’s enslavement of Black people and their ongoing journey to justice and true freedom.

The main granite pathway, sourced and supplied by HGH, represents the people enslaved in Niagara-on-the-Lake and the journey north of the others escaping slavery in the US. The path guides visitors through visually and physically striking steel figures and forms.

The opposing steel arcs at the centre of the park represent the struggles and barriers to freedom of the slaves. Important names and dates from history are inscribed on the walls while figures cut into the steel walls signify the diversity of Black voices.

The communal circle and wall in the top left corner of the park represent the journey’s end – a symbol of unity, kinship, support and community. The North Star design meanwhile represents a beacon of light that led the enslaved people to Canada and, eventually, freedom. As visitors move through the space, which also features inspiring quotes, they’re invited to not only reflect on the Black voices of Canada’s past but also to look forward and listen to the voices shaping Canada’s future.

HGH’s role in the project

We provided Tan Brown and Multicolour Red granite for the paths, paved areas and boulders – but while we were honoured to source the stone, being part of this project meant more than supplying materials.
It was about playing a role in the artist’s vision of taking people on a journey of awareness and appreciation, giving people a deeper understanding of the lives and experiences of the Black men, women, and children who endured slavery and found freedom.

For us, every project is an opportunity to contribute to the vibrant narratives that shape our communities, but working on Voices of Freedom was particularly special. We love that we helped in the creation of a monument that will tell Black Canadians’ story of strength, resilience, and unity for many, many years to come.

Other projects that pay tribute to Canada’s diverse communities

 

The Landscape of Nations, Tom Ridout

Another work from Tom Ridout, the Landscape of Nations memorial stands as an immersive tribute to the contributions and sacrifices made by Six Nations and Native Allies on Queenston Heights during the War of 1812.

Maanjidowin (The Gathering), David M General

This 16-foot granite and bronze sculpture by Indigenous artist David M General, which sits at Billy Bishop Toronto City Airport, was created in recognition of the Mississaugas of the Credit First Nation and their relationship to the land, air and water.

Estonian & Ukrainian Memorials

The boulder memorial for the Estonian Central Council of Canada community remembers the brave men and women who fled Estonia during WWII to find freedom in Canada.

The black granite Ukranian monument, featuring 24ct gold leaf, can be found at the St. Wolodymyr & St. Olha Cemetery, Oshawa, ON. It was donated by the Dnipro Oshawa Fund, in memory of the members of the Ukrainian Cultural Centre Dnipro.

Honouring history

How can we help you with any special projects you’re working on? Get in touch with our team today.

Turning Fieldstones into Masterpieces

From creating striking landmarks that capture the essence of a location, to constructing memorials that blend solemnity with natural beauty, the use of natural elements such as boulders and fieldstones has gained significant popularity.

Valued not only for their aesthetic appeal, rustic charm and enduring strength, fieldstones have the power to transform spaces with their functional benefits too.

In this blog, we’re answering all your questions about fieldstones and showcasing how this versatile medium can be used to elevate landmarks, memorials, and architectural projects. We’ll dive into our process of how we turn fieldstones into public monuments – and share with you some of our inspiring real-life examples.

But, before we look at the use cases, it’s important to understand the differences between boulders and fieldstones.

Although sometimes used interchangeably, they are actually not the same thing. So, let’s start by clarifying any misunderstandings, and learn the distinctions between these two types of rock…

What is a fieldstone?

A fieldstone is a naturally occurring rock found on the surface of fields or in the soil. Unlike other rocks, fieldstones are not mined, and are generally smaller, smoother and more irregular in shape compared to quarried stones or boulders. This irregularity in shape and size, shaped by natural processes over time, is a defining characteristic of fieldstones. Their appearance, including color and texture, depends on the local geology, giving each stone a unique and rustic aesthetic.

Fieldstones are a popular choice in construction and landscaping, commonly used for building stone walls, fireplaces, foundations, and for decorative purposes in gardens.

What is a boulder?

A boulder is a large, smooth, and rounded rock, typically larger than 10 inches in diameter. Boulders can be formed naturally through weathering and erosion, or artificially through quarrying processes. They are commonly found in diverse landscapes such as riverbeds, beaches, and near cliffs, and can vary in composition based on their geological environment.

In landscaping and architecture, boulders are used for aesthetic and functional purposes, such as creating natural barriers or as focal points in gardens.

How do boulders differ from fieldstones?

While both boulders and fieldstones are natural stones, prized for their rustic, aesthetic appeal, they differ in size, appearance, and typical applications. Boulders are larger and more rugged, often serving as prominent construction or landscape architecture features, while fieldstones are smaller, smoother, and used for a variety of smaller-scale projects.

Where do fieldstones come from?

Fieldstones originate from geological processes that span centuries. They’re composed of various minerals and showcase a rich palette of colours and textures that reflect the geological diversity of their origins.

Due to their inconsistent colour and shape, the look of a fieldstone varies significantly from that of quarried stone. The uniqueness of each piece is why everyone from nature-lovers to granite specialists, like us, love them!

What are fieldstones used for?

Fieldstones are often used for landscape purposes. In the right hands, this humble piece of rock (or geological marvel) can be transformed into an enduring work of art. Which is where our expert team at HGH Granite comes in. Breathing life into fieldstones and turning them into pieces of art that tell stories is our speciality.

How do granite specialists work with fieldstones?

Every creation begins with the raw fieldstone. Every stone has been weathered and worn by time, and as such, has its own character and history that inspires our in-house team of stone cutters.

The process of turning the rock into something new requires a balance of preserving the stone’s natural character while bringing out its hidden potential.

When selecting fieldstones to repurpose, we pay very close attention; inspecting for fractures and ensuring the dimensions are suitable for use.

For example, if we’re briefed with transforming a natural boulder into a cemetery memorial then, first, we need to ensure it will fit on its granite base; next, that the bottom joint will be stable enough, and, finally, that there’s enough room on the face of the stone to accommodate an inscription.

Once the fieldstone is cut with our diamond wire saw, we grade the stone based on the character we find. We then proceed with polishing or ‘steeling’ the face if requested.

Polishing brings out the colour in the granite, giving it a wet look – see the “Kraft” boulder, below. Meanwhile, a steeled, or sawn, surface dulls a variegated appearance and produces a clean slate. We picture it as a smooth canvas, upon which we can create any design – see “Rayner” boulder, below.

What does HGH Granite create with fieldstones?

Our fieldstone portfolio is rich and varied, covering religious monuments to public parks and architectural projects. Take for example…

Cemetery Monuments

In the quiet corners of cemeteries, our fieldstone monuments pay homage to lives lived. Each is crafted with skill and compassion by our in-house team and as such our pieces become special symbols of remembrance for loved ones.

Memorials

Nestled in the city of Hamilton’s Woodland Cemetery, and fashioned from a boulder, this Estonian memorial stands as a testament to the bravery of those who sought refuge in Canada during WWII. The fieldstone, carefully chosen for its character, became a canvas for honouring the resilience and spirit of the Estonian community. We’re really proud of it.

Signage

Venture beyond cemeteries, and you’ll find our fieldstone creations welcoming guests and customers alike to commercial businesses. Like the bold black signage we created for OK Tire in Dundas, ON, or the equally punchy sign we created for Grisdale Enterprises Inc at the same location. We love that these pieces blend nature with the brand/ business’s ethos, and existing look and feel.

Our signage portfolio is pretty expansive, so you’ll see our fieldstones in a range of diverse landscapes.

Stone signage stands proudly at Flat Rock Cellars and Stone Lofts, in Jordan, ON; and Willowlane Farm in Hamilton, ON.

We’ve also created pieces for public parks, country clubs, apartment buildings, villages and cemeteries (if you take a drive to the village of Glancaster, ON or visit St Paul’s Anglican Cemetery near Millbrook, ON you’ll be welcomed by signage created by an HGH Granite).

We have lots of experience creating residential signage, too. These pieces are commonly referred to as ‘address rocks’. Where fieldstones give homes a unique, personalised look.

As you can see, the possibilities are pretty endless!

Crafting stories from stone

In the hands of our skilled in-house artisans and craftspeople, fieldstones transcend the status of mere rock. They evolve into pieces that tell stories, pay tribute, and even welcome people inside.

Do you have any fieldstone projects in the pipeline?

We’d love to hear from you and discuss your vision. At HGH, we pride ourselves on sourcing the finest granite and providing the best service to our valued clients. Whether you’re working on a welcome sign, a timeless headstone, or a public architecture piece, our team – and their many years of expertise – is at your service!

Get in touch with us today.

Mother & Children Cemetery Memorial Q&A

Our work on these granite Mother & Children grass markers was recently unveiled at Our Lady of the Angels Cemetery in Stoney Creek (right), and the Holy Family Cemetery in Milton (left) – of the Catholic Cemeteries of the Diocese of Hamilton, Ontario.

We’re proud of how these memorials turned out. The brief was to create sculptures for the children’s areas of the cemeteries that would bring solace and comfort to loved ones. As you can imagine, this was something that touched us and resonated with us, deeply.

We are asked a lot of questions about the Mother & Children project – so we decided to put together a Q&A blog to answer them all. Read on to discover more…

How did the Mother & Children cemetery memorial project come about?

We’ve worked with our client, The Catholic Cemeteries of Hamilton, for many years, supplying them with granite and engraving services – and carrying out projects on cemetery memorials, mausoleums, columbariums and granite features.

In this case, the cemetery came to us looking for a unique feature to distinguish the children’s sections at two of their cemetery sites. They had an idea of what they wanted, but were also looking for creative input from us.

When did work on the memorials begin?

We received the brief in February 2022, and there followed initial meetings, followed by initial designs both on paper, and then in clay, before the designs were signed off and carving on the final pieces began.

Why did you take on this project?

It is exactly the kind of request that HGH can outperform on and the purpose of this feature is something we are deeply passionate about as a team. It was meaningful and important, a project that would stand the test of time – we take comfort in knowing these granite cemetery memorial sculptures provide comfort to people.

Plus, the project aligned with our passion and expertise in this area, and played to our company’s strengths.

What went into the design?

This project required a lot of our time, and an array of in-house skills. We put to work a variety of abilities and talents to make it happen, including discussions around the granite plinth design, sizing considerations, sketches, clay modelling, and carving the granite with robotic milling equipment.

After that, it was all about the intricate handwork, precise polishing, engraving, and ultimately, the detailed installation process. All of which we completed as a company.

How did you decide on the types of granite to use?

Once we’d got the go-ahead on the final design for the granite statue/s, the team began to review suitable granite colors. Although the statues for the two different sites were the same, the cemetery wanted to distinguish each piece by colour. We decided on Indian Red granite for Our Lady of the Angels Cemetery in Stoney Creek, while its counterpart at the Holy Family Cemetery in Milton was rendered in Imperial Pink granite. We love the results.

What was involved in the installation?

We managed the entire installation process from beginning to end, employing our crane truck, and experienced installation crew.

When were the final statues unveiled?

They were unveiled in September 2023 on a bright, sunny day – which felt significant.

What has the response been like?

Our client is pleased with the sculptures. And we’re really touched to know that they have been positively received by visitors to the children’s area of the cemetery.

Do you have any further projects in the pipeline with the client?

Our partnership with the Catholic Cemeteries of the Diocese of Hamilton is one we hold very dear. These sculptures stand as a testament to both the Cemetery group’s dedication to honouring their sacred spaces with special memorials, our artistry and passion as a company, and how we both come together to bring the Cemetery’s vision to life.

Currently we have another cemetery feature for The Catholic Cemeteries of Hamilton with Jesus and two children that we are excited to be installing early 2024.

Want to know more about HGH Granite?

At HGH, we pride ourselves on sourcing the finest granite and providing the best service to our valued clients. Whether you’re working on a monument project, a timeless headstone, or a public architecture piece, our team – and their many years of expertise – is at your service!

Get in touch with us today.

Sometimes during conversations with unsuspecting friends, family members,  or brand new clients, we’ll drop in a term such as ‘nosings’ or ‘lithichrome’ or ‘porosity’ – only to be greeted by stony silence (pun intended) or an amused ‘Huh?’

It got us thinking, why don’t we create an A-Z glossary of our most-used granite terms that we can share with you?

So that’s what we did.

Please note, however, this list is by no means exhaustive. So, consider this your part one.

Ready to learn more? Let’s go!

 

Your Complete A-Z of Granite Terms

 

A: Abrasive

This relates to the sandblasting process – the abrasive material is the one that does the cutting. Common abrasives include sand (although due to health and environmental concerns, this is being used less and less); aluminium oxide, silicone carbide, steel grit, plastic media, such as acrylic and polyester – and even walnut shells and glass beads.

B: Bench

As in a granite memorial bench, a seating structure made from granite and placed in a cemetery or memorial garden. We have vast experience of designing and installing memorial benches at HGH Granite.

C: Columbarium

A specially designed structure with niches or compartments to store cremated remains. It’s an above-ground burial setting that provides a respectful and organized place for families to remember their loved ones.

D: Diamond Wire Saw

A cutting tool that uses diamond studded cable to slice through granite blocks with precision.

E: Etching

A technique that involves using acid or a laser to create intricate designs, text, or images on the surface of granite. Read more about our etching service. 

F: Flashing

Also known as frosting, it is the processing of removing the polished finish on granite using sandblast.

G: Grass marker

A flat, ground-level cemetery memorial. It’s installed flush to the ground and is typically made of stone or bronze.

H: Honing

The process of smoothing and finishing the surface of granite to a matte or satin-like appearance.

I: Inscription

The engraved text or design on a granite monument, often used to commemorate a person or event.

J: Joint

A dressed and cut stone surface where two pieces of stone are joined together, typically referring to the base of the main monument section.

K: Keystone

A wedge-shaped stone positioned at the peak of an arch, that secures all the other stones in position.

L: Lithichrome

A paint-like product applied to panels, carvings, or lettering to modify or intensify their inherent contrast or colour. The product offers a range of hues and tones for customization.

M: Monument

A structure or tablet, with an array of additional names such as memorials, headstones and gravestones, made from stone slabs or blocks, and typically found in cemeteries.

N: Nosings

Used in two contexts. On monuments, it refers to any stone projecting beyond the main surface line. On slant markers, it can denote either the top or front surface.

O: Ogee

A distinctive and ornate architectural design feature characterized by a curve that smoothly transitions from a concave to a convex form, resembling an elongated “S” shape. Often found in arches, moldings, and other decorative elements.

P: Porosity

The degree to which granite can absorb liquids, which affects its stain resistance.

Q: Quarrying

The process of extracting granite blocks or slabs from a quarry, often involving heavy machinery and drilling.

R: Restoration

The process of repairing, cleaning, and preserving old or weathered granite monuments to restore their original appearance. Learn more about granite repair.

S: Sandblasting

The process of propelling abrasive materials, such as sand or grit, against the surface of granite to create textures, patterns, or inscriptions. Find out more about our granite sandblasting services.

T: Tablet

The main part of a monument without lettering or ornament.

U: Unpolished Granite

The typical term for granite after it has been sawn, but has had no additional finish applied. It provides a subtle and lighter appearance compared to the glossy finish of polished granite.

V: Veining

The natural patterns in granite that are characterized by thin lines or streaks of contrasting colours.

W: Water Jet Cutting

A technology that uses high-pressure water mixed with abrasives to cut intricate designs and shapes in granite.

X: Xenolith

Let’s go scientific for this one! A xenolith is a rock fragment that becomes enveloped in an igneous rock, such as granite, during the cooling and solidification process.

Y:Yardstick

In years gone by, this was often used in the granite industry for measuring and cutting granite slabs accurately.

Z: Zoning

Regulations and codes often apply to the use of granite in construction and monument installations, specifying where and how it can be used.

So there you have it…

… An A to Z glossary of the rich tapestry of granite terms and techniques that shape our industry. From abrasives to zoning, each letter represents a component of our day-to-day life at HGH Granite.

Whether you’re exploring the intricacies of granite for the purpose of expanding your knowledge, creating a memorial – or you have a public architecture idea bubbling – we hope that by sharing these terms, we’ve paved the way for an exciting journey into the enduring and inspiring world of granite!

At HGH, we pride ourselves on sourcing the finest granite and providing the best service to our valued clients. If you’re working on a monument project, a timeless headstone, or a public architecture piece, our team – and their many years of expertise – are at your service!

Get in touch with us today.

HGH is currently in the midst of an exciting collaboration with The Catholic Cemeteries of Hamilton (Ontario) to deliver a series of sculptures for their cemeteries.

Having worked with the Diocese previously, we were thrilled to get the call regarding this new project.

For us, it’s a wonderful opportunity to blend our granite sourcing expertise with our passion for creating life-like statuary. This blog details the process of making the St. Michael sculpture, pictured, which was installed in August 2023 at the Our Lady of the Angel’s Catholic Cemetery in Stoney Creek, ON.

Part 1. The brief

It all began with a call from the manager of special projects for the Diocese asking for our help. The idea for each granite sculpture was for it to delineate a distinct section of the cemetery. In addition to the St. Michael statue, this included a mother and child sculpture for the mothers and children’s area – both providing connection and solace for visitors.

During our initial conversations, we assessed the feasibility and potential of each design from a granite perspective.

For the St. Michael sculpture, we decided, together with the client, on Imperial Grey granite for the figure and South African Brits/Impala granite for the cylindrical base.

Part 2. The design

Both the client and HGH carried out research to find photos of St. Michael artwork and statuary that was in line with their vision. The customer finally settled on a bronze sculpture that was in one of their other facilities, while we made some changes to the design at their request.

However, the St. Michael sculpture began life as a series of sketches with many revisions. We sent these drawings to our granite artists overseas, who began the process of manifesting the St. Michael figure in clay.

The clay used by the artist is a special sculpting clay that allows them to make continual adjustments to the model, if necessary, as work progresses. Following the client’s brief, the artist captured and made revisions to intricate details, such as the figure’s clothing creases, facial features, and hand placement.

After a six-week period of feedback and finesse-ing the clay sculpture, the client delivered their final approval.

Aligning with our client’s exact specifications before beginning work on the final pieces is an essential part of how we work. It might stretch timelines, but this way we know our clients are truly happy before any work begins – and prevents changes and delays further down the line.

Part 3. Bringing the figure to life in granite

Once the client was happy with the clay iteration of the sculpture, it underwent a 3D scan. Working from this scan the plant was able to create the final piece in granite, using robotic milling and sculpting.

The finer touches were then hand-finished, while our sculptors sent the client photos for approval throughout.

Part 4. Bringing the sculpture home

The sculpture’s journey back across the ocean took approximately six weeks, with each careful step of the way designed to ensure it arrived at our plant intact and ready for installation.

Once we’d received the sculpture, our skilled craftspeople completed the engraving, using stencils and a meticulous hand; they also added lettering through our sandblasting process.

Part 5. Installation

And then the sculpture was ready to be transported to the cemetery.

If you look closely at the picture below, you’ll be able to make out a piece of granite that was left attached to the sculpture between the hand and body of St. Michael. If this granite had been removed before shipping or transportation to the cemetery, this part of the sculpture would have been extremely fragile and at risk of being broken in transit.

Instead, and upon installation, our amazing craftsman Kevin carefully separated the hand from the body.

The round base of the sculpture added a layer of complexity to the installation process too, taking approximately one hour to install.

However, once the piece was in place, we were all thrilled by the results. We’re pleased to say, the client was too. The joy of crafting unique sculptures, witnessing the finished project, and knowing the client is happy, are some of the best aspects of our work.

Part 6. Work continues…

Our work with the Hamilton Catholic Cemeteries is ongoing – and we’re currently in the process of creating and installing further sculptures, which we look forward to sharing with you soon.

In conclusion

Crafting sacred art is an intricate, personal and complex process, where artistic vision, craftsmanship, an open mind and collaboration all come into play. We love that the St. Michael sculpture stands as a testament to this process and shows our commitment to enhancing sacred spaces with the enduring beauty of granite. We hope you’ve enjoyed reading about the process too.

At HGH, we pride ourselves on sourcing the finest granite and providing the best service to our valued clients. Whether you’re working on a monument project, a timeless headstone, or a public architecture piece, our team – and their many years of expertise – is at your service!

Get in touch with us today.

Whether you’re a landscape architect, memorial artist, or a monument company working granite, you choose it because of its timeless beauty and durability of granite pieces. We get that completely.

From awe-inspiring monuments to meaningful, elegant headstones and resilient public ‘carpets’ – see the ‘granite carpet’ at the Four Seasons’ Hotel, Toronto, below – granite adds gravitas to any project.

To preserve the longevity and lustre of such creations, however, requires regular maintenance and timely repairs. So, what does that look like? In this blog, we’re delving into the world of granite care, and offering up lots of valuable tips on how to maintain your granite installations and keep them in pristine condition.

How to Maintain Granite Pieces

 

1. Clean regularly

Regular cleaning is the cornerstone of granite maintenance. Firstly use a soft brush to remove any dirt or debris then use a mild detergent mixed with warm water to gently clean the surface of the piece, using a soft brush or sponge. White vinegar and water can also be used in combination.

It’s a good idea to test the cleaning solution on a small area of the stone first to ensure it doesn’t cause any adverse reactions.

If using white vinegar, We recommend never cleaning in direct, hot sunlight as it can cause possible damage to the stone.

We also recommend avoiding abrasive cleaners and harsh chemicals that could damage the natural beauty of the stone.

One last tip: draw up a cleaning schedule so no day, weeks or months go missed!

2. Apply granite sealer

Granite that is unpolished can be porous, making it susceptible to staining if left unsealed. Depending on the granite colour and finish, it’s a good idea to apply a quality granite sealer every one to three years to your piece. Sealing helps protect granite from staining, ensuring it maintains its good looks over time.

3. Avoid heavy impact

While granite is incredibly durable, it’s not completely indestructible. Avoid heavy impact or dropping heavy objects onto any granite surfaces as this may cause chips or fractures. Be mindful when using lawn mowers or other equipment near granite installations to prevent accidental damage.

How to Repair Granite Pieces

 

1. Look for signs of wear and tear

It’s important to keep a close eye on granite pieces for signs of wear and tear. Cracks, chips, discoloration, and surface scratches are common issues that can crop up over time, and dealing with them promptly is the name of the game. Create a schedule for regular check-ins. Dealing with the issue promptly will enable you to nip damage in the bud, and maintain the integrity of the granite.

2. Seek professional help if needed

We provide repair services at HGH if you need professional assistance. We’d always advise erring on the side of caution, as attempting to Do It Yourself is not a good idea – it might make problems worse and compromise the appearance of the granite.

In Conclusion

Maintaining and repairing granite pieces is a worthy investment that pays for itself in the long run. Implementing regular cleaning and maintenance schedules and practices – along with periodic sealing – will help you preserve the splendour of your piece and avoid costly repairs. Remember to stay vigilant for signs of wear and tear, though – and seek professional restoration services when needed.

At HGH, we pride ourselves on sourcing the finest granite and providing the best service to our valued clients. Whether you’re working on a monument project, a timeless headstone, or a public architecture piece, our team – and their many years of expertise – is at your service!

Get in touch with us today.

In the world of public memorials, successful collaboration is the key to meaningful, beautiful pieces that stand the test of time – and become popular visit attractions.

In this blog, we’re going to take a look at how we work with the different parties involved in the creation of a public memorial – whether that be a piece honouring fallen soldiers, Indigenous people and their contribution to society, or legendary figures from the world of sports and literature.

1. Collaborating from the get-go

Collaboration is at the heart of creating meaningful memorial art. So how does it all start? Generally, we will receive a call from the interested party looking to share their concept for a memorial project.

The client will enquire about the possibility of making this piece from granite – or incorporating granite into the design.

After we’ve helped with their initial enquiry, we set up a meeting to discuss their requirements and the various methods we can use to achieve their desired results. By working together closely from the start, we get to the heart of the client’s brief and ensure it will be translated into a tangible memorial, encapsulating the essence of their subject.

2. Getting to know the customer

Understanding the customer’s vision is integral to getting started on a meaningful memorial. Adapting to different types of clients is part of our process too. We work with a variety, including:

• Memorial companies
• Municipalities
• Cemeteries
• Volunteer groups

These clients will hire an artist or urban design company, themselves – but we will meet with the artist in question as part of our process. In other cases, memorial artists come straight to us with their briefs.

3. Delivering expert insight

While the overall concept of a public memorial is developed by an artist or design team, we are responsible for providing a wide selection of granite colours, and finishes for them to select from, to help bring their vision to life. We also advise on the best materials for specific memorial designs.

4. Unleashing Creativity

Memorial artists possess a unique blend of artistic talent and empathy. And we love working closely with them to get to the core of the story they wish to tell. Our expertise in choosing the right colours and finishes + the durability and beauty of the chosen granite + the artists’ skills and soul-felt work = evocative memorials that capture the true essence of lives lived.

5. Learning from our successes and always striving to deliver

We’re proud to have successfully collaborated with a number of inspiring artists on a wide-ranging portfolio of extraordinary memorials, incorporating diverse designs, materials, and techniques.

Every project we’ve worked on has enriched and educated us in new ways – through the design process itself to overcoming supply challenges, for instance, in order to deliver on time and budget. We take everything we’ve learned into our next project with the aim of making it just as successful – if not more so – than the last.

Some of our favourite memorial projects include:

The Vimy Centennial Bugler, Marlene Hilton Moore

We supplied and installed the granite base for this poignant sculpture that depicts a single bugler, and calls us to remember the bravery and sacrifice of those Canadians who fought in WWI over one hundred years ago. It is a significant feature of Vimy Foundation Centennial Park, part of the Canadian National Vimy Memorial site.

Maajidowin: The Gathering, David M General

This 16-foot granite and bronze sculpture sits at Billy Bishop Toronto City Airport on the dock wall overlooking the Western Gap. It was created in recognition of the Mississaugas of the Credit First Nation and their relationship to the land, air and water.

We had worked with celebrated Indigenous artist David before, and came to us and discussed the project. We then sourced and supplied the granite for the canoe and the animals and engraved the granite. This included accommodating the artwork provided and ensuring the stencils were placed precisely where the artist envisioned, prior to sandblasting. Take a closer look at the Maanjidowin project.

Other memorials we’ve worked on with David include the Thomas Longboat Memorial project for the Pan Am Games in Toronto in 2015 – picture above in this blog – and on The ‘Eagles Among Us’ memorial, located at Battlefield Park in Stoney Creek, ON.

CBTU Monument

We had the opportunity to work with John Greer and Vanessa Paschakarnis from Intercontinental Sculpture on the Canadian Building Trades Monument in 2017, which celebrates Canada’s skilled building tradespeople.

Afghanistan Repatriation Memorial

We also worked with Campbell Monument Ltd on the iconic Afghanistan Repatriation Memorial.

In conclusion

These memorials are a testament to the power of teamwork and combined expertise in the memorial art industry. And we’re proud that our 90+ years of granite knowledge and expertise helps memorial artists make informed decisions when it comes to selecting the perfect granite for each project. Through collaboration, we have been able to create unique and meaningful pieces that celebrate and honour the lives of many brave and inspiring people – leaving a lasting legacy for generations to come.

Contact us today

We’ve been providing granite services for over 90 years. Our vision and business model have helped build a loyal customer base that relies on our expertise and quality workmanship. Over the years, our team has grown with like-minded individuals that share the same passion for providing outstanding granite products and services. Let us help build you your vision. Talk to us.