Turning Fieldstones into Masterpieces

From creating striking landmarks that capture the essence of a location, to constructing memorials that blend solemnity with natural beauty, the use of natural elements such as boulders and fieldstones has gained significant popularity.

Valued not only for their aesthetic appeal, rustic charm and enduring strength, fieldstones have the power to transform spaces with their functional benefits too.

In this blog, we’re answering all your questions about fieldstones and showcasing how this versatile medium can be used to elevate landmarks, memorials, and architectural projects. We’ll dive into our process of how we turn fieldstones into public monuments – and share with you some of our inspiring real-life examples.

But, before we look at the use cases, it’s important to understand the differences between boulders and fieldstones.

Although sometimes used interchangeably, they are actually not the same thing. So, let’s start by clarifying any misunderstandings, and learn the distinctions between these two types of rock…

What is a fieldstone?

A fieldstone is a naturally occurring rock found on the surface of fields or in the soil. Unlike other rocks, fieldstones are not mined, and are generally smaller, smoother and more irregular in shape compared to quarried stones or boulders. This irregularity in shape and size, shaped by natural processes over time, is a defining characteristic of fieldstones. Their appearance, including color and texture, depends on the local geology, giving each stone a unique and rustic aesthetic.

Fieldstones are a popular choice in construction and landscaping, commonly used for building stone walls, fireplaces, foundations, and for decorative purposes in gardens.

What is a boulder?

A boulder is a large, smooth, and rounded rock, typically larger than 10 inches in diameter. Boulders can be formed naturally through weathering and erosion, or artificially through quarrying processes. They are commonly found in diverse landscapes such as riverbeds, beaches, and near cliffs, and can vary in composition based on their geological environment.

In landscaping and architecture, boulders are used for aesthetic and functional purposes, such as creating natural barriers or as focal points in gardens.

How do boulders differ from fieldstones?

While both boulders and fieldstones are natural stones, prized for their rustic, aesthetic appeal, they differ in size, appearance, and typical applications. Boulders are larger and more rugged, often serving as prominent construction or landscape architecture features, while fieldstones are smaller, smoother, and used for a variety of smaller-scale projects.

Where do fieldstones come from?

Fieldstones originate from geological processes that span centuries. They’re composed of various minerals and showcase a rich palette of colours and textures that reflect the geological diversity of their origins.

Due to their inconsistent colour and shape, the look of a fieldstone varies significantly from that of quarried stone. The uniqueness of each piece is why everyone from nature-lovers to granite specialists, like us, love them!

What are fieldstones used for?

Fieldstones are often used for landscape purposes. In the right hands, this humble piece of rock (or geological marvel) can be transformed into an enduring work of art. Which is where our expert team at HGH Granite comes in. Breathing life into fieldstones and turning them into pieces of art that tell stories is our speciality.

How do granite specialists work with fieldstones?

Every creation begins with the raw fieldstone. Every stone has been weathered and worn by time, and as such, has its own character and history that inspires our in-house team of stone cutters.

The process of turning the rock into something new requires a balance of preserving the stone’s natural character while bringing out its hidden potential.

When selecting fieldstones to repurpose, we pay very close attention; inspecting for fractures and ensuring the dimensions are suitable for use.

For example, if we’re briefed with transforming a natural boulder into a cemetery memorial then, first, we need to ensure it will fit on its granite base; next, that the bottom joint will be stable enough, and, finally, that there’s enough room on the face of the stone to accommodate an inscription.

Once the fieldstone is cut with our diamond wire saw, we grade the stone based on the character we find. We then proceed with polishing or ‘steeling’ the face if requested.

Polishing brings out the colour in the granite, giving it a wet look – see the “Kraft” boulder, below. Meanwhile, a steeled, or sawn, surface dulls a variegated appearance and produces a clean slate. We picture it as a smooth canvas, upon which we can create any design – see “Rayner” boulder, below.

What does HGH Granite create with fieldstones?

Our fieldstone portfolio is rich and varied, covering religious monuments to public parks and architectural projects. Take for example…

Cemetery Monuments

In the quiet corners of cemeteries, our fieldstone monuments pay homage to lives lived. Each is crafted with skill and compassion by our in-house team and as such our pieces become special symbols of remembrance for loved ones.

Memorials

Nestled in the city of Hamilton’s Woodland Cemetery, and fashioned from a boulder, this Estonian memorial stands as a testament to the bravery of those who sought refuge in Canada during WWII. The fieldstone, carefully chosen for its character, became a canvas for honouring the resilience and spirit of the Estonian community. We’re really proud of it.

Signage

Venture beyond cemeteries, and you’ll find our fieldstone creations welcoming guests and customers alike to commercial businesses. Like the bold black signage we created for OK Tire in Dundas, ON, or the equally punchy sign we created for Grisdale Enterprises Inc at the same location. We love that these pieces blend nature with the brand/ business’s ethos, and existing look and feel.

Our signage portfolio is pretty expansive, so you’ll see our fieldstones in a range of diverse landscapes.

Stone signage stands proudly at Flat Rock Cellars and Stone Lofts, in Jordan, ON; and Willowlane Farm in Hamilton, ON.

We’ve also created pieces for public parks, country clubs, apartment buildings, villages and cemeteries (if you take a drive to the village of Glancaster, ON or visit St Paul’s Anglican Cemetery near Millbrook, ON you’ll be welcomed by signage created by an HGH Granite).

We have lots of experience creating residential signage, too. These pieces are commonly referred to as ‘address rocks’. Where fieldstones give homes a unique, personalised look.

As you can see, the possibilities are pretty endless!

Crafting stories from stone

In the hands of our skilled in-house artisans and craftspeople, fieldstones transcend the status of mere rock. They evolve into pieces that tell stories, pay tribute, and even welcome people inside.

Do you have any fieldstone projects in the pipeline?

We’d love to hear from you and discuss your vision. At HGH, we pride ourselves on sourcing the finest granite and providing the best service to our valued clients. Whether you’re working on a welcome sign, a timeless headstone, or a public architecture piece, our team – and their many years of expertise – is at your service!

Get in touch with us today.

Mother & Children Cemetery Memorial Q&A

Our work on these granite Mother & Children grass markers was recently unveiled at Our Lady of the Angels Cemetery in Stoney Creek (right), and the Holy Family Cemetery in Milton (left) – of the Catholic Cemeteries of the Diocese of Hamilton, Ontario.

We’re proud of how these memorials turned out. The brief was to create sculptures for the children’s areas of the cemeteries that would bring solace and comfort to loved ones. As you can imagine, this was something that touched us and resonated with us, deeply.

We are asked a lot of questions about the Mother & Children project – so we decided to put together a Q&A blog to answer them all. Read on to discover more…

How did the Mother & Children cemetery memorial project come about?

We’ve worked with our client, The Catholic Cemeteries of Hamilton, for many years, supplying them with granite and engraving services – and carrying out projects on cemetery memorials, mausoleums, columbariums and granite features.

In this case, the cemetery came to us looking for a unique feature to distinguish the children’s sections at two of their cemetery sites. They had an idea of what they wanted, but were also looking for creative input from us.

When did work on the memorials begin?

We received the brief in February 2022, and there followed initial meetings, followed by initial designs both on paper, and then in clay, before the designs were signed off and carving on the final pieces began.

Why did you take on this project?

It is exactly the kind of request that HGH can outperform on and the purpose of this feature is something we are deeply passionate about as a team. It was meaningful and important, a project that would stand the test of time – we take comfort in knowing these granite cemetery memorial sculptures provide comfort to people.

Plus, the project aligned with our passion and expertise in this area, and played to our company’s strengths.

What went into the design?

This project required a lot of our time, and an array of in-house skills. We put to work a variety of abilities and talents to make it happen, including discussions around the granite plinth design, sizing considerations, sketches, clay modelling, and carving the granite with robotic milling equipment.

After that, it was all about the intricate handwork, precise polishing, engraving, and ultimately, the detailed installation process. All of which we completed as a company.

How did you decide on the types of granite to use?

Once we’d got the go-ahead on the final design for the granite statue/s, the team began to review suitable granite colors. Although the statues for the two different sites were the same, the cemetery wanted to distinguish each piece by colour. We decided on Indian Red granite for Our Lady of the Angels Cemetery in Stoney Creek, while its counterpart at the Holy Family Cemetery in Milton was rendered in Imperial Pink granite. We love the results.

What was involved in the installation?

We managed the entire installation process from beginning to end, employing our crane truck, and experienced installation crew.

When were the final statues unveiled?

They were unveiled in September 2023 on a bright, sunny day – which felt significant.

What has the response been like?

Our client is pleased with the sculptures. And we’re really touched to know that they have been positively received by visitors to the children’s area of the cemetery.

Do you have any further projects in the pipeline with the client?

Our partnership with the Catholic Cemeteries of the Diocese of Hamilton is one we hold very dear. These sculptures stand as a testament to both the Cemetery group’s dedication to honouring their sacred spaces with special memorials, our artistry and passion as a company, and how we both come together to bring the Cemetery’s vision to life.

Currently we have another cemetery feature for The Catholic Cemeteries of Hamilton with Jesus and two children that we are excited to be installing early 2024.

Want to know more about HGH Granite?

At HGH, we pride ourselves on sourcing the finest granite and providing the best service to our valued clients. Whether you’re working on a monument project, a timeless headstone, or a public architecture piece, our team – and their many years of expertise – is at your service!

Get in touch with us today.

Sometimes during conversations with unsuspecting friends, family members,  or brand new clients, we’ll drop in a term such as ‘nosings’ or ‘lithichrome’ or ‘porosity’ – only to be greeted by stony silence (pun intended) or an amused ‘Huh?’

It got us thinking, why don’t we create an A-Z glossary of our most-used granite terms that we can share with you?

So that’s what we did.

Please note, however, this list is by no means exhaustive. So, consider this your part one.

Ready to learn more? Let’s go!

 

Your Complete A-Z of Granite Terms

 

A: Abrasive

This relates to the sandblasting process – the abrasive material is the one that does the cutting. Common abrasives include sand (although due to health and environmental concerns, this is being used less and less); aluminium oxide, silicone carbide, steel grit, plastic media, such as acrylic and polyester – and even walnut shells and glass beads.

B: Bench

As in a granite memorial bench, a seating structure made from granite and placed in a cemetery or memorial garden. We have vast experience of designing and installing memorial benches at HGH Granite.

C: Columbarium

A specially designed structure with niches or compartments to store cremated remains. It’s an above-ground burial setting that provides a respectful and organized place for families to remember their loved ones.

D: Diamond Wire Saw

A cutting tool that uses diamond studded cable to slice through granite blocks with precision.

E: Etching

A technique that involves using acid or a laser to create intricate designs, text, or images on the surface of granite. Read more about our etching service. 

F: Flashing

Also known as frosting, it is the processing of removing the polished finish on granite using sandblast.

G: Grass marker

A flat, ground-level cemetery memorial. It’s installed flush to the ground and is typically made of stone or bronze.

H: Honing

The process of smoothing and finishing the surface of granite to a matte or satin-like appearance.

I: Inscription

The engraved text or design on a granite monument, often used to commemorate a person or event.

J: Joint

A dressed and cut stone surface where two pieces of stone are joined together, typically referring to the base of the main monument section.

K: Keystone

A wedge-shaped stone positioned at the peak of an arch, that secures all the other stones in position.

L: Lithichrome

A paint-like product applied to panels, carvings, or lettering to modify or intensify their inherent contrast or colour. The product offers a range of hues and tones for customization.

M: Monument

A structure or tablet, with an array of additional names such as memorials, headstones and gravestones, made from stone slabs or blocks, and typically found in cemeteries.

N: Nosings

Used in two contexts. On monuments, it refers to any stone projecting beyond the main surface line. On slant markers, it can denote either the top or front surface.

O: Ogee

A distinctive and ornate architectural design feature characterized by a curve that smoothly transitions from a concave to a convex form, resembling an elongated “S” shape. Often found in arches, moldings, and other decorative elements.

P: Porosity

The degree to which granite can absorb liquids, which affects its stain resistance.

Q: Quarrying

The process of extracting granite blocks or slabs from a quarry, often involving heavy machinery and drilling.

R: Restoration

The process of repairing, cleaning, and preserving old or weathered granite monuments to restore their original appearance. Learn more about granite repair.

S: Sandblasting

The process of propelling abrasive materials, such as sand or grit, against the surface of granite to create textures, patterns, or inscriptions. Find out more about our granite sandblasting services.

T: Tablet

The main part of a monument without lettering or ornament.

U: Unpolished Granite

The typical term for granite after it has been sawn, but has had no additional finish applied. It provides a subtle and lighter appearance compared to the glossy finish of polished granite.

V: Veining

The natural patterns in granite that are characterized by thin lines or streaks of contrasting colours.

W: Water Jet Cutting

A technology that uses high-pressure water mixed with abrasives to cut intricate designs and shapes in granite.

X: Xenolith

Let’s go scientific for this one! A xenolith is a rock fragment that becomes enveloped in an igneous rock, such as granite, during the cooling and solidification process.

Y:Yardstick

In years gone by, this was often used in the granite industry for measuring and cutting granite slabs accurately.

Z: Zoning

Regulations and codes often apply to the use of granite in construction and monument installations, specifying where and how it can be used.

So there you have it…

… An A to Z glossary of the rich tapestry of granite terms and techniques that shape our industry. From abrasives to zoning, each letter represents a component of our day-to-day life at HGH Granite.

Whether you’re exploring the intricacies of granite for the purpose of expanding your knowledge, creating a memorial – or you have a public architecture idea bubbling – we hope that by sharing these terms, we’ve paved the way for an exciting journey into the enduring and inspiring world of granite!

At HGH, we pride ourselves on sourcing the finest granite and providing the best service to our valued clients. If you’re working on a monument project, a timeless headstone, or a public architecture piece, our team – and their many years of expertise – are at your service!

Get in touch with us today.

HGH is currently in the midst of an exciting collaboration with The Catholic Cemeteries of Hamilton (Ontario) to deliver a series of sculptures for their cemeteries.

Having worked with the Diocese previously, we were thrilled to get the call regarding this new project.

For us, it’s a wonderful opportunity to blend our granite sourcing expertise with our passion for creating life-like statuary. This blog details the process of making the St. Michael sculpture, pictured, which was installed in August 2023 at the Our Lady of the Angel’s Catholic Cemetery in Stoney Creek, ON.

Part 1. The brief

It all began with a call from the manager of special projects for the Diocese asking for our help. The idea for each granite sculpture was for it to delineate a distinct section of the cemetery. In addition to the St. Michael statue, this included a mother and child sculpture for the mothers and children’s area – both providing connection and solace for visitors.

During our initial conversations, we assessed the feasibility and potential of each design from a granite perspective.

For the St. Michael sculpture, we decided, together with the client, on Imperial Grey granite for the figure and South African Brits/Impala granite for the cylindrical base.

Part 2. The design

Both the client and HGH carried out research to find photos of St. Michael artwork and statuary that was in line with their vision. The customer finally settled on a bronze sculpture that was in one of their other facilities, while we made some changes to the design at their request.

However, the St. Michael sculpture began life as a series of sketches with many revisions. We sent these drawings to our granite artists overseas, who began the process of manifesting the St. Michael figure in clay.

The clay used by the artist is a special sculpting clay that allows them to make continual adjustments to the model, if necessary, as work progresses. Following the client’s brief, the artist captured and made revisions to intricate details, such as the figure’s clothing creases, facial features, and hand placement.

After a six-week period of feedback and finesse-ing the clay sculpture, the client delivered their final approval.

Aligning with our client’s exact specifications before beginning work on the final pieces is an essential part of how we work. It might stretch timelines, but this way we know our clients are truly happy before any work begins – and prevents changes and delays further down the line.

Part 3. Bringing the figure to life in granite

Once the client was happy with the clay iteration of the sculpture, it underwent a 3D scan. Working from this scan the plant was able to create the final piece in granite, using robotic milling and sculpting.

The finer touches were then hand-finished, while our sculptors sent the client photos for approval throughout.

Part 4. Bringing the sculpture home

The sculpture’s journey back across the ocean took approximately six weeks, with each careful step of the way designed to ensure it arrived at our plant intact and ready for installation.

Once we’d received the sculpture, our skilled craftspeople completed the engraving, using stencils and a meticulous hand; they also added lettering through our sandblasting process.

Part 5. Installation

And then the sculpture was ready to be transported to the cemetery.

If you look closely at the picture below, you’ll be able to make out a piece of granite that was left attached to the sculpture between the hand and body of St. Michael. If this granite had been removed before shipping or transportation to the cemetery, this part of the sculpture would have been extremely fragile and at risk of being broken in transit.

Instead, and upon installation, our amazing craftsman Kevin carefully separated the hand from the body.

The round base of the sculpture added a layer of complexity to the installation process too, taking approximately one hour to install.

However, once the piece was in place, we were all thrilled by the results. We’re pleased to say, the client was too. The joy of crafting unique sculptures, witnessing the finished project, and knowing the client is happy, are some of the best aspects of our work.

Part 6. Work continues…

Our work with the Hamilton Catholic Cemeteries is ongoing – and we’re currently in the process of creating and installing further sculptures, which we look forward to sharing with you soon.

In conclusion

Crafting sacred art is an intricate, personal and complex process, where artistic vision, craftsmanship, an open mind and collaboration all come into play. We love that the St. Michael sculpture stands as a testament to this process and shows our commitment to enhancing sacred spaces with the enduring beauty of granite. We hope you’ve enjoyed reading about the process too.

At HGH, we pride ourselves on sourcing the finest granite and providing the best service to our valued clients. Whether you’re working on a monument project, a timeless headstone, or a public architecture piece, our team – and their many years of expertise – is at your service!

Get in touch with us today.

Whether you’re a landscape architect, memorial artist, or a monument company working granite, you choose it because of its timeless beauty and durability of granite pieces. We get that completely.

From awe-inspiring monuments to meaningful, elegant headstones and resilient public ‘carpets’ – see the ‘granite carpet’ at the Four Seasons’ Hotel, Toronto, below – granite adds gravitas to any project.

To preserve the longevity and lustre of such creations, however, requires regular maintenance and timely repairs. So, what does that look like? In this blog, we’re delving into the world of granite care, and offering up lots of valuable tips on how to maintain your granite installations and keep them in pristine condition.

How to Maintain Granite Pieces

 

1. Clean regularly

Regular cleaning is the cornerstone of granite maintenance. Firstly use a soft brush to remove any dirt or debris then use a mild detergent mixed with warm water to gently clean the surface of the piece, using a soft brush or sponge. White vinegar and water can also be used in combination.

It’s a good idea to test the cleaning solution on a small area of the stone first to ensure it doesn’t cause any adverse reactions.

If using white vinegar, We recommend never cleaning in direct, hot sunlight as it can cause possible damage to the stone.

We also recommend avoiding abrasive cleaners and harsh chemicals that could damage the natural beauty of the stone.

One last tip: draw up a cleaning schedule so no day, weeks or months go missed!

2. Apply granite sealer

Granite that is unpolished can be porous, making it susceptible to staining if left unsealed. Depending on the granite colour and finish, it’s a good idea to apply a quality granite sealer every one to three years to your piece. Sealing helps protect granite from staining, ensuring it maintains its good looks over time.

3. Avoid heavy impact

While granite is incredibly durable, it’s not completely indestructible. Avoid heavy impact or dropping heavy objects onto any granite surfaces as this may cause chips or fractures. Be mindful when using lawn mowers or other equipment near granite installations to prevent accidental damage.

How to Repair Granite Pieces

 

1. Look for signs of wear and tear

It’s important to keep a close eye on granite pieces for signs of wear and tear. Cracks, chips, discoloration, and surface scratches are common issues that can crop up over time, and dealing with them promptly is the name of the game. Create a schedule for regular check-ins. Dealing with the issue promptly will enable you to nip damage in the bud, and maintain the integrity of the granite.

2. Seek professional help if needed

We provide repair services at HGH if you need professional assistance. We’d always advise erring on the side of caution, as attempting to Do It Yourself is not a good idea – it might make problems worse and compromise the appearance of the granite.

In Conclusion

Maintaining and repairing granite pieces is a worthy investment that pays for itself in the long run. Implementing regular cleaning and maintenance schedules and practices – along with periodic sealing – will help you preserve the splendour of your piece and avoid costly repairs. Remember to stay vigilant for signs of wear and tear, though – and seek professional restoration services when needed.

At HGH, we pride ourselves on sourcing the finest granite and providing the best service to our valued clients. Whether you’re working on a monument project, a timeless headstone, or a public architecture piece, our team – and their many years of expertise – is at your service!

Get in touch with us today.

In the world of public memorials, successful collaboration is the key to meaningful, beautiful pieces that stand the test of time – and become popular visit attractions.

In this blog, we’re going to take a look at how we work with the different parties involved in the creation of a public memorial – whether that be a piece honouring fallen soldiers, Indigenous people and their contribution to society, or legendary figures from the world of sports and literature.

1. Collaborating from the get-go

Collaboration is at the heart of creating meaningful memorial art. So how does it all start? Generally, we will receive a call from the interested party looking to share their concept for a memorial project.

The client will enquire about the possibility of making this piece from granite – or incorporating granite into the design.

After we’ve helped with their initial enquiry, we set up a meeting to discuss their requirements and the various methods we can use to achieve their desired results. By working together closely from the start, we get to the heart of the client’s brief and ensure it will be translated into a tangible memorial, encapsulating the essence of their subject.

2. Getting to know the customer

Understanding the customer’s vision is integral to getting started on a meaningful memorial. Adapting to different types of clients is part of our process too. We work with a variety, including:

• Memorial companies
• Municipalities
• Cemeteries
• Volunteer groups

These clients will hire an artist or urban design company, themselves – but we will meet with the artist in question as part of our process. In other cases, memorial artists come straight to us with their briefs.

3. Delivering expert insight

While the overall concept of a public memorial is developed by an artist or design team, we are responsible for providing a wide selection of granite colours, and finishes for them to select from, to help bring their vision to life. We also advise on the best materials for specific memorial designs.

4. Unleashing Creativity

Memorial artists possess a unique blend of artistic talent and empathy. And we love working closely with them to get to the core of the story they wish to tell. Our expertise in choosing the right colours and finishes + the durability and beauty of the chosen granite + the artists’ skills and soul-felt work = evocative memorials that capture the true essence of lives lived.

5. Learning from our successes and always striving to deliver

We’re proud to have successfully collaborated with a number of inspiring artists on a wide-ranging portfolio of extraordinary memorials, incorporating diverse designs, materials, and techniques.

Every project we’ve worked on has enriched and educated us in new ways – through the design process itself to overcoming supply challenges, for instance, in order to deliver on time and budget. We take everything we’ve learned into our next project with the aim of making it just as successful – if not more so – than the last.

Some of our favourite memorial projects include:

The Vimy Centennial Bugler, Marlene Hilton Moore

We supplied and installed the granite base for this poignant sculpture that depicts a single bugler, and calls us to remember the bravery and sacrifice of those Canadians who fought in WWI over one hundred years ago. It is a significant feature of Vimy Foundation Centennial Park, part of the Canadian National Vimy Memorial site.

Maajidowin: The Gathering, David M General

This 16-foot granite and bronze sculpture sits at Billy Bishop Toronto City Airport on the dock wall overlooking the Western Gap. It was created in recognition of the Mississaugas of the Credit First Nation and their relationship to the land, air and water.

We had worked with celebrated Indigenous artist David before, and came to us and discussed the project. We then sourced and supplied the granite for the canoe and the animals and engraved the granite. This included accommodating the artwork provided and ensuring the stencils were placed precisely where the artist envisioned, prior to sandblasting. Take a closer look at the Maanjidowin project.

Other memorials we’ve worked on with David include the Thomas Longboat Memorial project for the Pan Am Games in Toronto in 2015 – picture above in this blog – and on The ‘Eagles Among Us’ memorial, located at Battlefield Park in Stoney Creek, ON.

CBTU Monument

We had the opportunity to work with John Greer and Vanessa Paschakarnis from Intercontinental Sculpture on the Canadian Building Trades Monument in 2017, which celebrates Canada’s skilled building tradespeople.

Afghanistan Repatriation Memorial

We also worked with Campbell Monument Ltd on the iconic Afghanistan Repatriation Memorial.

In conclusion

These memorials are a testament to the power of teamwork and combined expertise in the memorial art industry. And we’re proud that our 90+ years of granite knowledge and expertise helps memorial artists make informed decisions when it comes to selecting the perfect granite for each project. Through collaboration, we have been able to create unique and meaningful pieces that celebrate and honour the lives of many brave and inspiring people – leaving a lasting legacy for generations to come.

Contact us today

We’ve been providing granite services for over 90 years. Our vision and business model have helped build a loyal customer base that relies on our expertise and quality workmanship. Over the years, our team has grown with like-minded individuals that share the same passion for providing outstanding granite products and services. Let us help build you your vision. Talk to us.

What do the Great Pyramid of Giza, the Aberdeen Pavilion in Ottawa, Canada, the Taj Mahal, Stonehenge and the Statue of Liberty have in common? Aside from being iconic international landmarks that is.

If you hadn’t already guessed, then let us shed some light: granite has played a key role in the construction of each and every one of them.

In this blog, we’ll take a look at these historic monuments, delve into how granite was used in each application – and discuss the ways memorial makers, urban artists and landscape architects can use the tricks of the past to create stunning long-lasting landmarks today.

1. Embrace Durability like the Ancient Egyptians did

Granite is known for its strength and durability, making it the perfect choice for long-lasting structures. The largest of the three pyramids in Giza – a bona fide ancient wonder – is primarily constructed using limestone and granite blocks.

Memorial artists, urban designers and landscape artists can apply this same principle to their work today – by selecting durable materials, such as stone or concrete, for everything from foundations, paths, walls, to other decorative hardscape elements.

The results? Granite not only looks wonderful, it’s built to last. And by combining granite with other hard wearing stones, urban designers and artists will imbue their work with a sense of permanence and longevity – and minimize the need for constant maintenance.

2. Incorporate Texture and Contrast, a la The Taj Mahal

While primarily built using white marble, the Taj Mahal incorporates intricate inlay work featuring a variety of precious and semi-precious stones – and granite.

Granite often boasts unique textures and color variations, and today’s urban and memorial artists can take inspiration from this by incorporating different textures and contrasting elements into their sculptures and landscapes.

Combine smooth and rough surfaces, mix materials like wood and stone, or vary plant textures to create visual interest and dynamic compositions.

3. Balance Simplicity and Sophistication

Many granite architectural designs strike a balance between simplicity and sophistication. Today’s granite artists and landscape architects can apply this concept by creating clean lines and simple forms while incorporating elegant details and refined elements.

You can see this approach in the iconic The Aberdeen Pavilion (also known as the Horticulture Building) in Ottawa, Ontario, Canada. Constructed between 1898 and 1903, in the late Victorian and Edwardian architectural styles, it incorporates a striking combination of brick and stones including granite.

While the building’s foundation and lower levels were constructed using locally quarried Nepean sandstone – and the upper levels and exterior walls were made of red brick – granite is incorporated into the structure as accent pieces.

You’ll see granite in the columns, lintels, and many of the decorative elements of this forever-eye-catching building.

4. Prioritize Functionality

Granite architecture often focuses on functionality, ensuring that the stone serves a practical purpose.

One famous landmark that uses granite to service a functional *and* aesthetic purpose is the Statue of Liberty.

While its main body is made from copper – and its internal structures from steel and iron – the statue stands on a huge foundation of concrete, granite blocks and granite-faced concrete – all of which provide that all-important stability and support.

The Statue of Liberty’s pedestal is also made of granite. Its exterior comprises rough-hewn granite blocks, while its interior is constructed with dressed granite blocks. The rugged texture and natural colour variations of the granite contribute to the eternal visual (and very Instagrammable) appeal and impact of the structure.

5. Pay Attention to Scale and Proportion

From the most famous to the locally beloved, granite structures usually exhibit a sense of proportion and scale that fits harmoniously with their surroundings.

Granite architects, memorial artists and urban artists can apply this principle by carefully considering the scale of landscape elements, such as trees, shrubs, and architectural features. A truly, cohesive example of landscape architecture, art or memorial, needs to maintain a balance between the sizes of its different components and the world around it.

When considering landmarks that wow with their sense of scale and proportion, they don’t come much more iconic than Stonehenge – the ancient myth-enveloped, stone circle located in Wiltshire, England.

These prehistoric large standing stones – or, sarsens, as they’re better known – comprise many different types of stone and rock, including Preseli Spotted Dolerite, a type of igneous rock that contains a significant amount of granite.

Stonehenge is an imposing structure, with some of its stones weighing several tons and it stands at over 4m tall. The sheer hugeness and solidity of these stones create a grandeur and monumentality that has evoked awe and wonder in onlookers since its creation in the Neolithic period, around 2500 BC.

Conclusion

As we’ve explored, granite has played a key role in the structure of many of the most beloved landmarks around the world, including: the Taj Mahal, the Aberdeen Pavilion, the Statue of Liberty, Stonehenge and the Pyramid of Giza.

All of these landmarks showcase the enduring beauty and significance of granite in architecture and cultural heritage. Which is why landscape architects, memorial artists and urban designers love working with granite just as much today as they did then…

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Did you know that we at HGH Granite have been providing granite services for the last 90 years? Our vision and business model have helped build a loyal customer base that relies on our expertise and quality workmanship. Over the years, our team has grown with like-minded individuals that share the same passion for providing outstanding granite products and services. Let us help build you your vision.

We were honoured to work alongside landscape architect Tom Ridout in the creation of the Landscape of Nations memorial in Queenston Heights Park, Niagara on the Lake, Ontario, back in 2015.

The large outdoor permanent installation is a living memorial dedicated to the contributions and sacrifices made by the Six Nations and Native Allies on Queenston Heights and throughout the War of 1812. It also symbolises the position of the First Nations people at the core of Canadian history – and national affairs today.

HGH sourced and supplied large amounts of granite in different colourways for different elements of the project.

The history behind the memorial

We’re often asked which are our favourite-ever projects to have worked on but the truth is, they all have a special place in our hearts. Many have huge historical significance and honour important people from our past and present – and this project is no different.

The Battle of Queenston Heights took place on this site during the War of 1812 – during which Major-General Sir Isaac Brock and his Canadian aide-de-camp, Lieutenant Colonel John MacDonell, lost their lives.

The battle was all but lost until the Six Nations warriors – the Haudenosaunee – and Indigenous Allies arrived to help and ultimately turned the tide.

A look in more detail

Visitors to the memorial are greeted by a Turtle focal point – rendered in granite pavers on the main pathway. The history of the turtle is significant. In the Six Nations creation story, the earth was created on the back of a giant turtle when Skywoman fell from the sky. The story goes that Skywoman landed gently on the back of a turtle and was given dirt from the ocean floor to spread on its back, representing the ground we walk upon. The cutting to size of the granite pavers to create the turtle design – along with their installation – was an intricate process, equally complex and rewarding.

John Norton and John Brant

Near to the Turtle stand two bronze figures in Native clothing and feathered headdresses. These are the figures of John Norton and John Brant – the two Mohawk Chiefs, who led the native warriors into the Battle of Queenston Heights after Sir Isaac Brock died. The figures were created by Six Nations bronze artist Raymond Skye and we were honoured to supply the granite bases on which they stand.

The Longhouse

The statues of Norton and Brant stand at the entrance to an archway of tall steel rods – The Longhouse. A longhouse is an architectural structure traditional to the Six Nations, which provides shelter – in fact, Six Nations people used to refer to themselves as `People of the Longhouse`.

The Wampum Belt Walkway

Starting at the Turtle and running beneath the Longhouse in the direction of the central installation of the memorial is a walkway composed of two parallel bands of granite – one light, one dark. These two granite bands represent the Two Row Wampum Treaty between the Six Nations and Dutch settlers in the early 1600s.

The First Nations used to record their treaties in the form of wampum belts of different coloured beads, rather than on paper. The two rows represent the Dutch ships and the canoes of the native people sailing together in mutual respect, the walkway representing their agreement to co-exist on parallel paths.

The Memory Circle

At the centre of the installation is The Memory Circle where the names of the Six Nations and Native Allies are carved into bronze medallions on the surrounding stones, shaped into a sunray pattern.

Tree of Peace

The memorial also features an Eastern White Pine tree that stands as a symbol of the Six Nations constitution, known as the Great Law of Peace. Our team worked around this and other precious 200-year-old-plus trees to install the large granite boulders for the bronze plaques that line the pathway leading to The Memory Circle.

The memorial was unveiled to the public in October 2016 and has become a much-loved visitor attraction, allowing people to learn more about, and reflect upon, the Six Nations people and their legacy.

From the intricacy of the work on the turtle paving area to managing the installation of the large boulders around the ancient trees –  any damage of which incurred a significant fine – this was a complex, challenging and deeply rewarding project to be a part of. We’re proud to say it showcases our team’s capabilities – and sensitivity – in the field of landscape art and memorials to brilliant effect!

 

Cemetery monument installation is an important part of our work here at HGH and a specialised procedure that we’re often asked about.

From traditional memorials to benches and multi-piece monuments, the scope of work we carry out varies greatly. So let’s get started with some of our most frequently asked questions.

Is there a typical installation process?

Good question. Before we dive in, we should start by saying there’s no such thing as a typical installation process. It will vary depending on geographical location and the cemetery where  the monument is being installed.

How is the headstone transported to the cemetery?

Our granite headstones are loaded onto a crane truck. If the cemetery in question is accessible and it is permitted, the crane truck will drive in and install the piece directly – taking great care to protect the grass being driven on. 

If the monument plot is in an inconvenient location, or the cemetery is old and inaccessible, then the piece will be transported to its destination in a hand-cart.

How many pieces makes up a monument?

Upright Granite monuments are usually constructed from two pieces of granite. The upper headstone section, or die, which sits on a stone base. The die and base are joined together with a monument setting compound.

Is this how the monument stays in place?

Yes, the setting compound is a sealant – like putty – and it goes around the perimeter of the joint. Spacers – made from little pieces  of lead – are then placed in each corner. The lead leaves  a gap so the setting compound fills the void to create the necessary seal – this also stops the monument from rocking and prevents chipping. 

Once the setting compound and lead are in place, the monument itself is placed on top of the base. We leave it to sit for a few minutes and then trim the perimeter with a knife to clean away the setting compound – before giving the monument a final wash and wipe down.

Do you need to follow a set of industry-wide Health & Safety regulations? If so, what are they and why are they important?

Every company has its own H&S methods, developed through experience. The health and safety of our team is of huge importance to us, so naturally, we do all we can to ensure our staff feel confident during the process of installation. From making sure there’s always at least a couple  of team members on site at the same time, to ensuring the team has the correct work gear and safety equipment.  

We recently acquired a new piece of equipment to help our team carry out their installations even more efficiently and safely. Watch this space for the first picture!

How do people look after the memorials once installed?

The great thing about granite memorials is that they’re nearly  maintenance-free. In the event of a headstone getting dirty, a light mix of dish soap and water can be used to clean them up. If the memorial has a steeled  surface and moss has begun to develop on it, it can be removed with white vinegar and water, along with a gentle scrub brush.

Is installing memorials an emotionally rewarding process? 

Absolutely. It’s humbling – and rewarding – to know we’ve played a part in providing a place people can visit and reflect and remember their loved ones.

Got a question about sourcing granite? A new project you’d like to discuss?

We’ve been providing granite services  in Canada and the USA for the last 90 years and our loyal customers come back time and again for our experience, knowledge and artistry. We’d love to help you build your artistic vision today, too. Contact us today and the conversation can begin!